When exiting the theater after Fairview has come to an end, my first reaction was a need for reflection time. Jackie Sibblies Drury has written a shockingly fascinating big broad comedy that is structurally dissonant (for lack of a better term). I will not spoil the enjoyment of this play for anyone. Ms. Drury has serious observations to share on the subject of race. How we think about race. How race is used for entertainment. How race is divisive. How human beings are all the same underneath a layer of skin.
Fairview begins as an African American family comedy. It’s Grandma’s birthday and her daughter is throwing a bash at her house. Her demanding and critical sister arrives. Her husband is helping her get ready but her stress level is so high she cannot relax. The family revels in the fact that they are known for dancing. Dancing does indeed happen and the entire family’s spirit soars together, if only for that moment. Familial comedies with bite are common. What makes Fairview so unique are the layers that get added on and then multiply.
Sarah Benson’s direction is assured. This is a complicated, absorbing piece of theater which respects the audience but forces them to think outside the box. Raja Feather Kelly choreographed Fairview and her work has a big impact. The entire cast miraculously balances caricature and farce with layered dimensions of depth and realness. But the playwriting is the star here. Ms. Drury has many surprises up her sleeve. I won’t spoil them and you should not miss them. This play is a co-production with Berkeley Rep which will present Fairview in October.
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